| Ident. | Authors (with country if any) | Title |
|---|
| 000066 |
D. Haslam [Royaume-Uni] | The history of obesity |
| 000083 |
Diane Winkleby [Royaume-Uni] | Violins from Versailles |
| 000088 |
Tom Cheesman [Royaume-Uni] | Shakespeare and Othello in Filthy Hell: Zaimoglu and Senkel's Politico-Religious Tradaptation |
| 000090 |
Colin Timms [Royaume-Uni] | Rebuilding Adonis |
| 000093 |
Noël Peacock [Royaume-Uni] | Molière |
| 000100 |
Graham Sadler [Royaume-Uni] | French opera, ballet and cantata |
| 000113 |
Graham Sadler [Royaume-Uni] | A century of tragédie en musique |
| 000132 |
Femi Abodunrin ; Leigh Dale ; Chris Tiffin ; Richard Lane ; Suzanne Scafe ; Caroline Herbert ; Catherine Lean [Royaume-Uni] ; Nelson Wattie | XVIINew Literatures |
| 000135 |
David Pinto [Royaume-Uni] | The Viola da Gamba Society Index of Manuscripts Containing Consort Music, Vol. 2. Compiled by Andrew Ashbee, Robert Thompson, and Jonathan Wainwright. |
| 000137 |
David R. M. Irving [Royaume-Uni] | THE DISSEMINATION AND USE OF EUROPEAN MUSIC BOOKS IN EARLY MODERN ASIA |
| 000139 |
Emma Barker [Royaume-Uni] | Rehabilitating the Rococo |
| 000140 |
Roger Savage [Royaume-Uni] | Poetarvm Graecorvm Opera |
| 000143 |
Silas Wollston [Royaume-Uni] | New light on Purcell’s early overtures |
| 000146 |
Amy Wygant [Royaume-Uni] | Le Mercure Galant: Présentation de la première revue féminine d'information et de culture, 1672–1710 |
| 000147 |
Hannah Smith [Royaume-Uni] ; Stephen Taylor [Royaume-Uni] | Hephaestion and Alexander: Lord Hervey, Frederick, Prince of Wales, and the Royal Favourite in England in the 1730s |
| 000152 |
David Hunter [Royaume-Uni, États-Unis] | Bridging the gap: the patrons-in-common of Purcell and Handel |
| 000177 |
David Charlton [Royaume-Uni] | Rousseau and Favart at Fontainebleau, Pergolesi at Versailles |
| 000204 |
Helen Jacobsen [Royaume-Uni] | LUXURY CONSUMPTION, CULTURAL POLITICS, AND THE CAREER OF THE EARL OF ARLINGTON, 1660–1685 |
| 000215 |
Matthew Leigh [Royaume-Uni] | Commedia Togata : the Terenzio of Goldoni and the Contest for Literary Authority |
| 000446 |
David Watkin [Royaume-Uni] | Portrait of a Patron. The Patronage and Collecting of James Brydges, 1st Duke of Chandos (1674–1744) |
| 000454 |
Graham Sadler [Royaume-Uni] | French tragédie: Thésée and Zoroastre |
| 000459 |
Graham Sadler [Royaume-Uni] | Campra and Lully: tragédie and comédie-ballet |
| 000569 |
Michael Hawcroft [Royaume-Uni] | Dramaturgie de la tragédie en musique: 1673–1764 |
| 000585 |
Michael Robertson [Royaume-Uni] | The court suite revisited |
| 000602 |
Christopher D. S. Field [Royaume-Uni] | Cadences in recitative |
| 000608 |
Ian Ruffell [Royaume-Uni] | Tragedy, Modernity and Mourning By Olga Taxidou. Edinburgh: Edinburgh University Press, 2004. Pp. 215. £45 Hb |
| 000611 |
Victoria E. Price [Royaume-Uni] | The Cambridge Companion to Christopher Marlowe . Edited by Patrick Cheney. Cambridge: Cambridge University Press, 2004. Pp. xix + 312 + illus. £45 Hb; £15.99 Pb |
| 000613 |
Willy Maley [Royaume-Uni] | Shakespeare, ‘Hamlet’: A Student Guide . Second edition. By Paul A. Cantor. Cambridge: Cambridge University Press, 2004. Pp. xvi + 101. £27.50/$45 Hb; £9.99/$15 Pb Beckett, ‘Waiting for Godot’: A Student Guide . Second edition. By Lawrence Graver. Cambridge: Cambridge University Press, 2004. Pp. xx +107 + illus. £27.50/$45 Hb; £9.99/$15 Pb |
| 000619 |
Murray G. H. Pittock [Royaume-Uni] | Frae Ither Tongues: Essays on Modern Translations into Scots . Edited by Bill Findlay. Clevedon: Multilingual Matters, 2004. Pp. viii + 272. £49.95 Hb |
| 000632 |
Michael Hawcroft [Royaume-Uni] | Racine: trois siècles de théâtre |
| 000634 |
Laurence Grove [Royaume-Uni] | Poésie et calligraphie imprimée à Paris au XVIIe siècle: autour de ‘La Chartreuse’ de Pierre Perrin, poème imprimé par Pierre Moreau en 1647 |
| 000636 |
Terence Cave [Royaume-Uni] | Modeste and Mignon: Balzac rewrites Goethe |
| 000637 |
Roger Mettam [Royaume-Uni] | Les Valets de Chambre de Louis XIV |
| 000638 |
Andrew Calder [Royaume-Uni] | La Fontaine à l'École républicaine: du poète universel au classique scolaire |
| 000641 |
Mark Darlow [Royaume-Uni] | Histoire de Moulay Abelmeula |
| 000643 |
P. M. Wetherill [Royaume-Uni] | Flaubert et le théâtre |
| 000688 |
Arnold Whittall [Royaume-Uni] | Review: Wagner's Meistersinger: Performance, History, Representation |
| 000723 |
John L. Flood [Royaume-Uni] | Helen Watanabe-O'kelly. Court Culture in Dresden: From Renaissance to Baroque. New York: Palgrave. 2002. Pp. xv, 310. $39.95 |
| 000746 |
Noe L Peacock [Royaume-Uni] | Review: Molière |
| 000755 |
Henry Phillips [Royaume-Uni] | Review: Condé in Context: Ideological Change in Seventeenth‐Century France |
| 000762 |
Annette Davison [Royaume-Uni] | Music and Multimedia: Theory and History |
| 000769 |
Hilda M. Brown [Royaume-Uni] | Uwe Japp / Stefan Scherer / Claudia Stockinger (Hgg.), Das romantische Drama. Produktive Synthese zwischen Tradition und Innovation. 2000 |
| 000779 |
Jan Mcdonald [Royaume-Uni] | The Cambridge Companion to Chekhov. Edited by Vera Gottlieb and Paul Allain. Cambridge: Cambridge University Press, 2000. Pp. xxxiii + 293 illus. £37.50 Hb; £13.95 Pb. |
| 000789 |
David Bradby [Royaume-Uni] | Langhoff. Edited by Odette Aslan. Paris: CNRS Editions, 2000. Pp. 414 + illus. FF320 Pb. La scène et les images. Edited by Béatrice Picon-Vallin. Paris: CNRS Editions, 2001. Pp.404 + illus. FF295 Pb. |
| 000792 |
Bella Merlin [Royaume-Uni] | Jacques Lecoq and the British Theatre. Edited by Franc Chamberlain and Ralph Yarrow. London: Routledge Harwood, 2002. Pp. 121 + illus. £19.99 Pb. |
| 000801 |
Brian Murdoch [Royaume-Uni] | War, Identity, Truth and Love: Leonhard Frank's Karl und Anna |
| 000804 |
Richard Parish [Royaume-Uni] | Review: Racine: The Power and the Pleasure |
| 000805 |
Amy Wygant [Royaume-Uni] | Review: Racine et/ou le classicisme: actes du colloque conjointement organisé par la North American Society for Seventeenth‐Century French Literature et la Société Racine, University of California, Santa Barbara, 14–16 octobre 1999 |
| 000808 |
Henry Phillips [Royaume-Uni] | Review: Jean Racine: ‘Andromaque’ |
| 000821 |
Richard Parish [Royaume-Uni] | Essays on French Comic Drama from the 1640s to the 1780s. Edited by Derek Connon and George Evans. Bern, Lang, 2000. 236 pp. Pb £25.00. |
| 000842 |
Edward Nye [Royaume-Uni] | REVIEWS |
| 000868 |
Peter Holman [Royaume-Uni] | Compositional choices in Henry Purcell's Three Parts upon a Ground |
| 000889 |
Rachel Cowgill [Royaume-Uni] | ‘The most musical spot for its size in the kingdom’: music in Georgian Halifax |
| 000891 |
Stephen F. Noreiko [Royaume-Uni] | Wise, Hilary, The Vocabulary of Modern French: Origins, Structure and Function. London: Routledge, 1997, 256 pp.0 415 11739 9 (pbk ), 0 415 11738 0 (hbk) |
| 000892 |
Jean-Marc Dewaele [Royaume-Uni] | Wilmet, Marc, Le Participe passé autrement. Paris – Bruxelles: Département Duculot – De Boeck & Larcier, 1999, 122 pp. 2 8011 1256 9 |
| 000893 |
Aidan Coveney [Royaume-Uni] | Vestiges of nous and the 1st person plural verb in informal spoken French |
| 000897 |
Ken George [Royaume-Uni] | Temple, Martine, Pour une sémantique des mots construits. Villeneuve d'Ascq (Nord): Presses Universitaires du Septentrion, 1996, 363 pp. 2 85939 449 4 |
| 000903 |
Geoff Hare [Royaume-Uni] | Ritchie, Adrian C., Media French. A Guide to Contemporary French Idiom, Cardiff: University of Wales Press, 1997. 268 pp. 0 7083 1399 X |
| 000921 |
Elspeth Broady [Royaume-Uni] | Morton, Jacqueline, English Grammar for Students of French. London: Arnold, 1999, viii + 176 pp. 0 340 73202 X. (Fourth edition. Originally published in the United States of America by The Olivia and Hill Press.) |
| 000922 |
Stephen F. Noreiko [Royaume-Uni] | Mollard-Desfour, Annie, Le dictionnaire des mots et expressions de couleur du XXe siècle: Le Bleu. Paris: CNRS Éditions, 1998, 260 pp. 2 271 05563 6 |
| 000923 |
Dougall Campbell [Royaume-Uni] | Maun, Ian, Radical ! A practical guide to French grammar (Arnold Concise Grammars). London: Edward Arnold, 2000, 283 pp. 0 340 71977 X |
| 000924 |
Marc Stewart [Royaume-Uni] | Marzys, Zygmunt, La variation et la norme. Geneva: Librairie Droz SA, 1998, 293 pp. |
| 000928 |
Ken George [Royaume-Uni] | Levieux, Eleanor and Levieux, Michel, Insiders' French: beyond the dictionary. Chicago and London: The University of Chicago Press, 1999, ix + 259 pp. 0 226 47502 6 (cloth) 0 226 47503 4 (paper) |
| 000929 |
Jean-Marc Dewaele [Royaume-Uni] | Lapkin, Sharon (éd.), French Second Language Education in Canada: empirical studies. Toronto & Buffalo: University of Toronto Press, 1998, xxx + 350 pp. 0 8020 4333 X |
| 000931 |
Dulcie M. Engel [Royaume-Uni] | Lang, Jürgen and Neumann-Holzschuh, Ingrid (eds), Reanalyse und Grammatikalisierung in den romanischen Sprachen. (Linguistische Arbeiten, 410.) Tübingen: Niemeyer, 1999, vii + 209 pp. 3 484 30410 3 |
| 000941 |
Malcolm Offord [Royaume-Uni] | Held, Gudrun, Verbale Höflichkeit: Studien zur linguistischen Theorienbildung und empirische Untersuchung zum Sprachverhalten französischer und italienischer Jugendlicher in Bitt- und Dankessituationen. (Tübinger Beiträge zur Linguistik, 406). Tübingen: Narr, 1995, 486 pp. 3 8233 5071 4. |
| 000942 |
Stephen F. Noreiko [Royaume-Uni] | Harrap French Office I.T. Dictionary. Edinburgh: Chambers Harrap, 1999, xi + (E–F) 80 + (40) + (F–E) 82 + (36) pp. 0 245 60656 3. Harrap French Sales and Marketing Dictionary. Edinburgh: Chambers Harrap, 1999, x + (E–F) 116 + (6) + (F–E) 114 + (6) + iv pp. 0 245 60666 1. Oxford French Minidictionary. Oxford: Oxford University Press, 1999, xv + 604 pp. 0 19 860245 6 |
| 000944 |
Eric Bel [Royaume-Uni] | Gambier, Y. (ed.), Discours professionnels en Français. (Nordeuropäische Beiträge aus den Human- und Gesellschaftswissenschaften, vol. 16) Frankfurt am Main: Peter Lang, 1998, 224 pp. 3 631 31523 6 |
| 000948 |
Ken George [Royaume-Uni] | Duffy, Jean J., Using French Vocabulary. Cambridge: Cambridge University Press, 1999, ix + 476 pp. 0 521 57040 9 (hardback) 0 521 57851 5 (paperback) |
| 000949 |
Pierre Larrivée [Royaume-Uni] | Curat, Hervé, Les Déterminants dans la référence nominale et les conditions de leur absence. Genève-Paris: Droz, 1999, 350 pp. 2 600 00340 1 |
| 000952 |
Judith Broadbridge [Royaume-Uni] | Braselmann, Petra, Sprachpolitik und Sprachbewusstsein in Frankreich heute. (Romantische Arbeitshefte, 44.) Tübingen: Niemeyer, 1999, vi + 162 pp. 3 484 54643 5 |
| 000959 |
Jeremy Whistle [Royaume-Uni] | Adamson, Robin, (ed.), Ça m'inspire: New Directions in French Language Studies. London and Dundee: AFLS/University of Dundee, 1996, 256 pp, 09511637 8 |
| 000986 |
Colin Smethurst [Royaume-Uni] | REVIEWS |
| 000988 |
Robert Lethbridge [Royaume-Uni] | REVIEWS |
| 000990 |
Keith Aspley [Royaume-Uni] | REVIEWS |
| 000992 |
Noel O'Regan [Royaume-Uni] | Marenzio's sacred music: the Roman context |
| 000A27 |
Marie-Claude Canova-Green [Royaume-Uni] | REVIEWS |
| 000A34 |
D. F. Mckenzie [Royaume-Uni] | MEA CULPA: VOLTAIRE'S RETRACTION OF HIS COMMENTS CRITICAL OF CONGREVE |
| 000A61 |
Alan Costall [Royaume-Uni] | Visual explanations: Images and quantities, evidence and narrative |
| 000A65 |
Trevor Turner [Royaume-Uni] | The wing of madness: The life and work of R. D. Laing |
| 000A98 |
Graham Richards [Royaume-Uni] | Historical dimensions of psychological discourse |
| 000B28 |
Christopher Page [Royaume-Uni] | Listening to to the trouvères |
| 000B34 |
Armand D'Angour [Royaume-Uni] | How the dithyramb got its shape |
| 000B45 |
Peter Holman [Royaume-Uni] | Walls, Music in the English Courtly Masque 1604–1640 |
| 000B46 |
Robert Wilcher [Royaume-Uni] | Reviews |
| 000B68 |
Henry Phillips [Royaume-Uni] | REVIEWS |
| 000B69 |
Michael Hawcroft [Royaume-Uni] | REVIEWS |
| 000B71 |
Noel O'Regan [Royaume-Uni] | REVIEWS OF BOOKS |
| 000B80 |
Angela M. Heap [Royaume-Uni] | NOTICES OF BOOKS |
| 000C19 |
D. C. Potts [Royaume-Uni] | REVIEWS |
| 000C20 |
Nicholas Hammond [Royaume-Uni] | REVIEWS |
| 000C21 |
Peter Dunwoodie [Royaume-Uni] | REVIEWS |
| 000C61 |
Vera Gottlieb [Royaume-Uni] | Reviews |
| 000C64 |
Anthony D. Smith [Royaume-Uni] | Gastronomy or Geology? The Role of Nationalism in the Reconstruction of Nations |
| 000C77 |
Wes Williams [Royaume-Uni] | REVIEWS |
| 000C79 |
David Maskell [Royaume-Uni] | REVIEWS |
| 000C81 |
Nicholas Hammond [Royaume-Uni] | REVIEWS |
| 000D10 |
Tess Knighton [Royaume-Uni] | Stein, Songs of Mortals, Dialogues of the Gods |
| 000D11 |
Robert Wilcher [Royaume-Uni] | Reviews |
| 000D21 |
M.-C. Canova-Green [Royaume-Uni] | Psyché: from tragédie-ballet to opera (1671-1678) |
| 000D22 |
R. Kenny [Royaume-Uni] | Molière's tower of Babel: Monsieur de Pourceaugnac and the confusion of tongues |
| 000D39 |
Nicholas Cronk [Royaume-Uni] | THE PLAY OF WORDS AND MUSIC IN MOLIÈRE-CHARPENTIER'S LE MALADE IMAGINAIRE |
| 000D62 |
Nicholas Cronk [Royaume-Uni] | MOLIÈRE-CHARPENTIER'S LE MALADE IMAGINAIRE: THE FIRST OPÉRA-COMIQUE? |
| 000D77 |
Roger Pensom [Royaume-Uni] | Accent and metre in French |
| 000D93 |
W. Johnson [Royaume-Uni] | Voltaire's Micromegas : A philosophic Conte about scale |
| 000E48 |
Jan Smaczny [Royaume-Uni] | REVIEWS OF BOOKS |
| 000E57 |
Joseph Bergin [Royaume-Uni] | REVIEWS OF BOOKS |
| 000E65 |
David Shaw [Royaume-Uni] | MOLIÈRE'S TEMPORARY HAPPY ENDINGS |
| 000E68 |
Gordon Pratt [Royaume-Uni] | Intelligent systems in a human context; development, implications and applications |
| 000F30 |
Barry Coward [Royaume-Uni] | VII The Seventeenth Century (i) British History 1603–1714 |
| 000F93 |
Graham F. Barlow [Royaume-Uni] | Wenceslas Hollar and Christopher Beeston's Phoenix Theatre in Drury Lane |
| 001033 |
Curtis Price [Royaume-Uni] | Harris, Henry Purcell's Dido and Aeneas |
| 001034 |
Andrew Davis [Royaume-Uni] | Ability and Learning |
| 001046 |
Anthony Gable [Royaume-Uni] | REVIEWS |
| 001053 |
Basil D. Tschaikov [Royaume-Uni] | Preparation for the Orchestral Profession: Which Kind of Symphony Orchestra Will We Have in 2000? |
| 001088 |
Denis Arnold [Royaume-Uni] | The secular music of Alessandro Grandi |
| 001108 |
Tim Carter (musicologue) [Royaume-Uni] | RECORDINGS |
| 001143 |
Adrian Furnham [Royaume-Uni] ; Christopher Johnson [Royaume-Uni] ; Richard Rawles [Royaume-Uni] | The determinants of beliefs in human nature |
| 001162 |
Paul Hammond [Royaume-Uni] | Flecknoe and Mac Flecknoe |
| 001179 |
Angelica Goodden [Royaume-Uni] | ‘UNE PEINTURE PARLANTE’: THE TABLEAU AND THE DRAME |
| 001194 |
Angelica Goodden [Royaume-Uni] | THE DRAMATISING OF POLITICS: THEATRICALITY AND THE REVOLUTIONARY ASSEMBLIES |
| 001196 |
C. H. L. Bodenham [Royaume-Uni] | RIMBAUD'S POÉTIQUE SENSATIONNISTE' AND SOME NINETEENTH–CENTURY MEDICAL WRITING |
| 001209 |
David Shaw [Royaume-Uni] | Les Femmes Savantes and Feminism |
| 001229 |
Arnold Whittall [Royaume-Uni] | REVIEWS OF BOOKS |
| 001243 |
Tim Carter (musicologue) [Royaume-Uni] | Books |
| 001290 |
F. E. Sutcliffe [Royaume-Uni] | REVIEWS |
| 001291 |
D. C. Potts [Royaume-Uni] | REVIEWS |
| 001331 |
Denis Arnold [Royaume-Uni] | Music |
| 001348 |
R. A. Francis [Royaume-Uni] | Romain Rolland and Some British Intellectuals During the First World War |
| 001415 |
Graham Daniels [Royaume-Uni] | EMMA BOVARY'S OPERA—FLAUBERT, SCOTT AND DONIZETTI |
| 001445 |
W. H. Zawadzki [Royaume-Uni] | Short Notices |
| 001446 |
Hugh Macdonald [Royaume-Uni] | Short Notices |
| 001483 |
R. A. Sayce [Royaume-Uni] | REVIEWS |
| 001484 |
W. G. Moore [Royaume-Uni] | REVIEWS |
| 001487 |
Donald Adamson [Royaume-Uni] | REVIEWS |
| 001506 |
Horace Fitzpatrick [Royaume-Uni] | Correspondence |
| 001523 |
H. G. Judge [Royaume-Uni] | Short Notices |
| 001524 |
D. A. Brading [Royaume-Uni] | Short Notices |
| 001595 |
Jack Westrup [Royaume-Uni] | SOLO SONGS |
| 001599 |
Jack Westrup [Royaume-Uni] | REVIEWS OF BOOKS |
| 001609 |
W. G. Moore [Royaume-Uni] | A NEW EDITION OF MOLIÈRE |
| 001625 |
Jack Westrup [Royaume-Uni] | REVIEWS OF BOOKS |
| 001650 |
Geoffrey Groom [Royaume-Uni] | Recent Books and Periodicals |
| 001651 |
Jack Westrup [Royaume-Uni] | REVIEWS OF BOOKS |
| 001662 |
D. G. B. Piper [Royaume-Uni] | AN APPROACH TO BULGAKOV'S THE MASTER AND MARGARITA |
| 001667 |
Michael Oakeshott [Royaume-Uni] | Education: The Engagement and its Frustration |
| 001756 |
W. G. Moore [Royaume-Uni] | REVIEWS |
| 001767 |
Anthony Levi [Royaume-Uni] | REVIEWS |
| 001773 |
Jack Westrup [Royaume-Uni] | REVIEWS OF MUSIC |
| 001776 |
Jack Westrup [Royaume-Uni] | REVIEWS OF BOOKS |
| 001800 |
Jack Westrup [Royaume-Uni] | REVIEWS OF MUSIC |
| 001801 |
Jack Westrup [Royaume-Uni] | REVIEWS OF BOOKS |
| 001809 |
Jack Westrup [Royaume-Uni] | OPERA |
| 001826 |
Arnold Whittall [Royaume-Uni] | ROUSSEAU AND THE SCOPE OF OPERA |
| 001827 |
R. A. Sayce [Royaume-Uni] | REVIEWS |
| 001839 |
L. W. Tancock [Royaume-Uni] | REVIEWS |
| 001844 |
Jack Westrup [Royaume-Uni] | REVIEWS OF BOOKS |
| 001890 |
A. Gill [Royaume-Uni] | REVIEWS |
| 001920 |
Eileen E. Pryme [Royaume-Uni] | ZOLA'S PLAYS IN ENGLAND, 1870–1900 |
| 001923 |
W. G. Moore [Royaume-Uni] | REVIEWS |
| 001940 |
Norman Newton [Royaume-Uni] | Yeats as Dramatist: The Player Queen |
| 001A02 |
W. D. Howarth [Royaume-Uni] | REVIEWS |
| 001A10 |
H. J. Hunt [Royaume-Uni] | REVIEWS |
| 001A24 |
C. D. King [Royaume-Uni] | ÉDOUARD DUJARDIN, INNER MONOLOGUE AND THE STREAM OF CONSCIOUSNESS |
| 001A25 |
H. J. Hunt [Royaume-Uni] | REVIEWS |
| 001A34 |
C. A. Robson [Royaume-Uni] | REVIEWS |
| 001A35 |
A. D. Crow [Royaume-Uni] | REVIEWS |
| 001A44 |
H. J. Hunt [Royaume-Uni] | A CONTEMPORARY DRAMATIST: MARCELLE MAURETTE |
| 001A80 |
Jack Westrup [Royaume-Uni] | REVIEWS OF BOOKS |
| 001A93 |
J. A. Westrup [Royaume-Uni] | REVIEWS |
| 001B10 |
G. Dickinson [Royaume-Uni] | REVIEWS |
| 001B13 |
Jack Westrup [Royaume-Uni] | REVIEWS OF BOOKS |
| 001B29 |
Jack Westrup [Royaume-Uni] | REVIEWS OF BOOKS |
| 001B70 |
Douglas Guthrie [Royaume-Uni] | The History of Otology |
| 001B76 |
Jack Westrup [Royaume-Uni] | REVIEWS of BOOKS |
| 001B90 |
Jack Westrup [Royaume-Uni] | REVIEWS OF MUSIC |
| 001C14 |
Jack Westrup [Royaume-Uni] | REVIEWS OF BOOKS |
| 001C31 |
Jack Westrup [Royaume-Uni] | REVIEWS OF BOOKS |
| 002041 |
Harry Sandars [Royaume-Uni] | DEATHS ON OR ASSOCIATED WITH THE STAGE |
| 002121 |
J. M. [Royaume-Uni] | LETTER OF ARCHIBALD, EARL OF ANGUS, TO HIS FATHER THE MARQUIS OF DOUGLAS |
